Produced in Kyoto, Kyo Kimono is mainly worn for special events such as weddings and funerals, the lush black color is known for its top of the line craftsmanship, the garment is referred to as “Kurotomesode.” The textile base is originally made from silk, but changed by chemicals to bring out its true black color. Then the family crest is embedded onto the fabric in a precise manner by the craftsman using ancient techniques to make it stay on the fabric. The artisan needs to be precise because there are over 20,000 family crests
Dating back to the 17th century Kurozome was mainly used for Buddhist priest robes and Samurai garbs. During the Meiji period the technique was used for weddings and funerals. After World War 2 the technique became even more popular and was spread to the US and to Europe. During the period it took 18 dyeing cycles to get the correct color. Shortly afterwards, during the Taisho period, artificial chemicals were being introduced into the textile industry with the name of it being Kuroshinsen. During the Taisho period, indigo artisans had to change their dyeing method to the Kuroshinsen method to stay in touch with the times.
While the fabric is still white it is checked for impurities. Then the family crest is marked into its correct location. The family crest is one of the most important parts of the kimono so it starts before the dying process starts to ensure it stays intact during the dyeing process. There are multiple starches that can be used for gender, and size of the family crest. The starch is dried on a frame with the kimono still in place, and pulled to maintain the flatness of the kimono. The fabric is then dyed 3 times using safflower and indigo dye to make the color of the fabric deeper. Next, a dye bath is prepared at 95C, it is then removed from the bath multiple times to ensure evenness among the fabric. Then, excess dye is washed away and the starch is cleaned off to reveal the family crest in pristine condition. Then the artisan sorts the cloth and waterproofing is done. The fabric is then smoothed using a steamer held by two needles. Finally the family crest is drawn on by hand and the kimono is done, and is ready for use.
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The reason why I make these articles is because I am infatuated by the craftsmanship that these Artisans have. Now, everyone wants their stuff instantly, one day shipping, that instant satisfaction. What drives me to make these posts is the beauty behind "mundane" things.
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